American Prejudice

David Hockney’s theory explaining that the French “neo-classicist” painter Jean-Dominique Ingres (1780-1867) was using a “camera lucida” as a guide for his work illustrates how artless the prejudices of the contemporary art-criticism are. No doubt that Hockney and his million-dollar “masterpieces” is one of the contemporary pop-art popes. How could not be such a successful artist trusted...

Publié le 28/06/2008 dans Lapinos par Xavier JASSU | Lire la suite...